On-set & In-studio 4Kp60 HDR 19" monitor-recorder 

The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording

BUILT FOR PRODUCTION
Rugged construction. Flexible mounting

The Aluminium alloy chassis with built-in armor houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers. The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.

QUAD SDI & HDMI 2.0 IN/OUT

Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with the very latest Atomos open protocol that supports HDR automation including importing of camera settings. There is also support for Genlock and LTC timecode.

PROFESSIONAL RECORDING
12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60

Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.

MONITOR. SWITCH. RECORD
Live Switch and Record up to four 1080/60p channels, 4 x ISO record and playback

 

Make working with multi-cam a breeze. Switch and mix a live record and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.

XLR MONITOR & RECORD
Balanced XLR Monitor & Record with 48V Phantom

Eliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.

GO HDR TODAY
In the field & the studio

Sumo’s 19” 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life either on the monitor itself, or when output to larger HDR/Rec709 displays for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or grading in the studio.

HIGH BRIGHT FOR REC709 OUTDOOR SHOOTING
1200nit 19” calibrated 1920x1080 monitor

The extremely bright 1200nit display means you can accurately monitor, even when outside in full daylight. Additionally, for the ultimate low light performance an optional hood is available. The simplicity of AtomOS means its only a single tap on screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT implementation to upload your own LUTs as .cube files.

TRUST WHAT YOU SEE
Calibrate for accurate color

Like all high-end monitor’s, Sumo also has optional calibration to compensate for the natural color and brightness drift that monitors exhibit over time. Sumo’s calibration input lets you use X-Rite’s i1DisplayPro to always ensure accurate HDR and Rec709 monitoring.

CONTINUOUS POWER
Never go without power

The optional mounting plates connect dual V-Lock or Anton Bauer batteries that work in tandem with our patent pending continuous power system. Sumo automatically swaps to the second battery when power is low, allowing the drained battery to be hot swapped to ensure you are never without power in the field.

CHOOSE THE SSD TO SUIT YOUR WORKFLOW
Media solutions that are affordable, time saving and convenient

Sumo records using our patented Master Caddy system. High capacity and widely available 2.5" SSD's provide an affordable solution for long recording times. We've tested and approved over 20 drives for Sumo (atomos.com/drives) that neatly slot into the provided Master Caddy or use the custom Atomos caddy from G-Technology to integrate directly into their EV series of Raid and desktop solutions for the ultimate in workflow efficiency.

ATOMOS SUMO 4KP60 HDR MONITOR-RECORDER ATOMSUMO19

SKU: ATOMSUMO19
$2,495.00Price
  • SPECS

    Weight
    Without batteries, media & stand 5.6kg / 12.3lb
    With stand 6.2kg / 13.7lb
    Dimensions (W x H x D mm) 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 
    504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)
    Construction Aluminium alloy chassis with built in armor protection
    Mounting Points 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 
    3/8-16 screw; 2 x top, 2 x bottom, 1 x side 
     VESA mount rear
    Power
    Operating power 75W
    Compatible batteries V-Lock / Anton Bauer via XLR terminal 
    (optional mounting plates available)
    Input voltage (battery) 14.4V nominal
    Battery time (based on 7.4V) Depends on Watt Hours speci cation of battery used
    DC In 1 x DC in (6.2 - 16.8V)
    Continuous power
    * Patent pending
    Primary-secondary battery system. 
    Change batteries without losing power 
    Loop batteries continuously
    Touchscreen
    Size 19”
    Resolution 1920 x 1200
    PPI 120
    Aspect ratio 16:9 native
    Color Gamut REC709 HDTV
    Look up table (LUT) support 3D LUT (.cube format)
    Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
    Technology SuperAtom IPS panel (capacitive touch), 
    calibration to Rec.709 with optional calibration unit
    HDR
    AtomHDR Yes
    Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
    Panasonic Vlog, JVC JLog, Red LogFilm
    Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
    Canon Cinema / BT2020 / DCI P3 / DCI P3+
    Panasonic V Gamut
    Arri Alexa Wide Gamut
    Bit depth 10-bit (8+2 FRC)
    Brightness 1200nit (+/- 10%)
    HDR input (PQ/HLG)
    HDR output (PQ/HLG)
    Yes / Yes
    Yes / Yes
    Video Input/Loop Out
    HDMI 1 x HDMI (2.0)
    SDI Quad link 4 x 3G SDI* or up to 12G single link SDI
    Signal Uncompressed true 10-bit or 8-bit 422
    (camera dependent)
    Video Output (Play Out)
    HDMI 1 x HDMI (2.0)
    SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
    Signal Uncompressed true 10-bit or 8-bit 422
    (playback file dependent)
    Supported Loop Out Formats
    HDMI to HDMI 720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120 
    2160p 24/25/30/50/60
    SDI to SDI 720p 50/60, 1080i 50/60 
    1080pSF 24/25/30 
    1080p 24/25/30/50/60/100/120 
    2160p 24/25/30/50/60
    Video Signal Conversion
    HDMI to SDI 720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120/200*/240*
    2160p 24/25/30/50/60
    SDI to HDMI 720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120/200*/240*
    2160p 24/25/30/50/60
    Supported Codecs & Frame Rates (Record & Playback)
    Raw Record Sony FS5/FS7^^/FS700 CDNG
    4K DCI; 24/25/30p 
    4K UHD; 
    2K; 24/25/30/50/60/100/120p 
    1080; 

    Canon C300MKII/C500 CDNG
    4K DCI; 24/25/30p 
    4K UHD; 24/25/30p 
    2K; 
    1080;

    Panasonic VaricamLT / Varicam35* CDNG
    4K DCI; 24/25/30p 
    4K UHD; 24/25/30p 
    2K; 
    1080; 

    Arri Alexa Mini .ARI*
    2880x1620; 24/25/30/50/60p 
    2880x2160; 24/25/30/50/60p 
     
    Raw to ProRes / DNxHR Sony FS5/FS7/FS700 
    ProRes (HQ, 422, LT) 
    DNxHR (HQX, HQ, SQ, LB)

    4K DCI; 24/25/30/50/60p 
    4K UHD; 
    2K; 24/25/30/50/60/100/120/200/240p 
    1080; 

    Canon C300MKII/C500 
    ProRes (HQ, 422, LT) 
    DNxHR (HQX, HQ, SQ, LB)

    4K DCI; 24/25/30p 
    4K UHD; 24/25/30p 
    2K; 
    1080; 

    Panasonic VaricamLT / Varicam35* 
    ProRes (HQ, 422, LT) 
    DNxHR (HQX, HQ, SQ, LB)

    4K DCI; 24/25/30/50*/60p* 
    4K UHD; 24/25/30/50*/60p* 
    2K; not supported in camera 
    1080; not supported in camera
     
    Video to ProRes / DNxHR 
    (DNx utilizes a .MOV wrapper)
    Codecs 
    Apple ProRes HQ, 422, LT
    AVID DNxHR HQX. HQ, SQ, LB

    Frame rates 
    4K DCI; 24/25/30/50/60p 
    4K UHD; 24/25/30/50/60p 
    2K; N/A 
    1080p; 24/25/30/50/60/100^/120^/200/240p 
    1080i; 50/60i 
    720p; 50/60p
    Onboard Processing
    Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
    60i > 24p (3:2 pulldown)
    4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)
    Audio In/Out (48kHz PCM Audio)
    HDMI 2 or 8ch 24-bit, camera dependent
    SDI 12ch 48kHz 24-bit
    Audio 2ch balanced XLR analog in/out (direct XLR connection)
    Dynamic range >90dB
    Max signal level +24dBu
    Max analog gain +52dB
    48V Phantom Power for Mic
    Headphone Out 3.5mm
    Built-in Speakers Yes
    Remote Start/Stop
    HDMI Auto HDMI Trigger
    Supported Protocols - Canon, Sony, Atomos Open Standard
    SDI SDI trigger camera selectable
    Other LANC control - Slave
    Playback
    Playlist / Genlock / LTC Yes / Yes / Yes
    CDNG (Recorded content) No support
    ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps
    DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion >= 100fps
    Recording
    Pre-roll record Yes (HD 8s, 4K 2s)
    Custom timelapse Yes
    Meta data tagging Yes (10 tags available)
    Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
    Master caddy case Master Caddy II (included)
    75mm x 105mm x 12mm
    Master caddy dock 2.5” SATA to USB 2.0/3.0
    Supported applications Supported Applications FCPX/FCP7+ / Media Composer
    5.0+ / Premiere 5.5+
    EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
    Autodesk Smoke 2015
    XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
    Accessories included Sumo unit, Master Caddy II x 1, AC power supply
    Optional extras Sunhood, VESA battery adapter plate, Atomos HDMI 
    cable, X-Rite i1DisplayPro calibration
    Warranty 1 year. Extended to 3 years on product registration

    All specifications correct when published, subject to E&OE.

    24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution

    * Available in future firmware updates

    *** No HDMI spec for 2K DCI

    ^ From supported HDMI sources such as gaming consoles and graphics cards.

    ^^ Optional unit (XDCA-FS7) needed for Raw output.